- Dan Koh
- Apr 30
- 1 min read
Updated: May 3
![Goh Laichan (1962–2025) [FOTOS: laichan_official/Instagram, Freestate Productions; Courtesy of Channel NewsAsia]](https://static.wixstatic.com/media/63942c_5f7e70cfd35d4dc6b59a8fffc131a758~mv2.avif/v1/fill/w_830,h_622,al_c,q_85,enc_avif,quality_auto/63942c_5f7e70cfd35d4dc6b59a8fffc131a758~mv2.avif)
a belated remembrance: i interviewed fashion designer Goh Laichan at his boutique for a magazine about 20 years ago, around the time of Wong Kar-wai's In the Mood for Love. amid the cheongsam hype, he stood out to me for quietly continuing, in a fabulous hat, an East Asian tradition with his modern grace, tailoring effortless and comfy spins on the mandarin gown. we never stayed in touch, but these memories (and how i wanted to fit into LAICHAN's “man-pao”) came flooding back in 2017 when i watched 邓宝翠 Eva Tang's short《柳影袈裟》("The Veiled Willow"), as part of Royston Tan's anthology 667, for which Mr. Goh was the costume designer. in a way only Eva can, the film gloriously celebrated myriad facets of Cantonese culture: food, humour, love, language, music, repression, set in an era when the Speak Mandarin Campaign was sewing up expression.
Mr. Goh passed away in April at 62 years old—quietly, of course. Eva has kindly made available her short, here, for streaming for 100 days, the traditional mourning period. do try to watch it and look out for the veteran couturier's creations at every turn. there'll never be another quite like Laichan.

PS: Eva's docu《從維多利亞街到宏茂桥》 (From Victoria Street to Ang Mo Kio), one of my faves of 2019, leaves streaming on Netflix today!