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  • Writer: Dan Koh
    Dan Koh
  • Jan 8, 2024
  • 4 min read

Updated: Jan 8, 2024

i recently came across this book at Basheer Graphics, Self-made: Creative Lives in Southeast Asia (2020). as told to Stephanie Peh, its short interviews with Southeast Asian artists of many shades have been sustaining over the last few weeks. i savoured the frank, hard-earned sharing, in slow spurts, over quick lunches and late at night.


divided into the sections "Making Your Own Rules", "The Grind", and "The Bigger Picture", Self-made accompanied my deepening disillusionment with and continued, albeit declining, participation in the arts. it showed me that there are other, more meaningful ways of doing things, perhaps only once you are more advanced in your career, or if you can live with little in an affordable place. i still question, though, if i can afford to reach that stage. and to what ends, ultimately, in a collapsing world? i guess, as Beckett wrote in The Unnamable (1953), "you must go on. I can’t go on. I’ll go on". ad infinitum.


here are some quotes that resonated with me, in chronological order:



My staff has the right to meditate all day (average four to six hours) and receive a salary. ...When our minds are pure, we listen better to our bodies and the universe.

— Vo Trong Nghia, architect, Mandalay

Social media is the nature of this era. Humans live with nature. In the past, nature is forest. Now, we live in a 'nature' of buildings and social media. We cannot refuse this new nature but we can make choices.

— Wisut Ponnimit, manga artist–cartoonist, Bangkok

If a potential client asks us to pitch, we sometimes respond together with the other studios and tell them that we don't want to make three designs for them to choose.

— Andra Matin, architect, Jakarta

The last thing we want is burnout over long and crappy projects that would make the staff dread coming to work. We accept that we will never be rich as designers. Money is not the measure of happiness.

— Joyce Tai and Rex Advincula, graphic designers, Manila

Amongst many other photojournalists at the scene [the 2015 Europe refugee crisis], I cast doubt on my intentions. If my work got published, will it do any good for mankind?

— Muhammad Fadli, photographer, Jakarta

It is a selfish business to be in if you have a family because you're not creating equity that can be passed on to your children. You are constantly creating for others and at the end of the day, there will be nothing left for you. Now that I'm in the last phase of my career, can I do something that will exist outside of me?

— Francisco Guerrero, photographer-cinematographer, Manila

Success probably depends on two things in tandem: uncontrollable external circumstances and the quality and content of the work itself.

— Sonny Liew, comic artist–illustrator, Singapore

At a certain point though, I'm starting to feel like the longer I stay in Thailand, the more guilt I have about the stories that I'm putting out there. These are important stories of human rights, suppression regime and social justice, and I will continue to do them even though they are for an international readership and tend to shape the way foreigners look at Southeast Asians.

— Pailin Wedel, journalist-filmmaker, Bangkok

If I can talk to my teenage self now, I would tell him, 'You're insecure, that is why people bully you.' Of course, you don't think like that at a young age. Instead, you collect scars. My scars built my character. ...I think that's where creativity flows.

— Saran Yen Panya, designer, Bangkok

Natural indigo is clean. For us, it symbolises hope. People all over the world are starting to treasure the natural resource on our planet. They are concerned about the problems facing humanity. Where we are now, I feel the world beside us.

— Sukajit Daengchai, designer-artisan, Sakhon Nakhon

It can be psychologically challenging when you feel that the whole world is not on your side. Over the years, I learnt to adapt and accept that the furniture I design is not for the masses.

— Alvin Tjitrowirjo, product designer, Jakarta

There was a time late last year when I didn't want to go out because people kept asking me, 'What are you working on?' instead of 'How are you?' ...I'm sure they didn't mean anything bad but the questions bothered me. Are we only measured by our output? Is work the only thing that defines us?

— Samantha Lee, filmmaker, Manila

My grandmother didn't talk much but she asked me a question one day, 'What is it that you do?' I found it very difficult to explain my work to her. ...Even after running the studio for awhile and winning major awards, I still felt like a flower arranger.

— Joseph Foo, graphic designer, Kuala Lumpur

I am in a place now where I am trying to leave this earth without causing too much harm. Every plastic that has ever been made still exists today. We humans will die, reincarnate, live a couple more lives but plastic will still be here. It's not easy to change, but we have to start somewhere. Starting with ourselves is the first step we can take.

Chitra Subyakto, fashion designer, Jakarta

I believe that if you do the right thingif you work the land and our earth sympathetically, it will take care of you.

— Ng Seksan, landscape architect, Kuala Lumpur

From an architectural standpoint, I think we have sacrificed much of what is ours as a nation, partially due to colonisation, but mostly due to the desire to rise and become a 'first world' society. But what is the point of it all if we cannot even acknowledge the fundamental issues that exist in our daily lives?

— Wendy Teo, architect, Sarawak

  • Writer: Dan Koh
    Dan Koh
  • Sep 14, 2023
  • 3 min read

in the dark year of 2020, a dear friend's wife wanted to learn more about singapore. she asked me for a list of local books, and i shared with her, and another person, an overly comprehensive list of fiction (disclaimer: i worked on a few titles).


recently, i realised i haven't thought up the same for singapura muzik, so here's a preliminary list of my personal faves (limited to one album per artist), and the book list too, based on my faltering memory of some years of tuning in, on and off, to the sonic and textual waves emanating from this black isle. for anyone out there:




MUZIK

Anita Sarawak - Live at the Mandarin Singapore (1975)

ASPIDISTRAFLY - A Little Fable (2011)

Astreal - Ouijablush (1997)

Fauxe - Half of my Love (2016)

Force Vomit - Give It Up for the Trustfund Rockers (2002)

Gulayu Arkestra - Hippocampuskuda (2011)

humpback oak - Ghostfather (1997)

陳潔儀 Kit Chan - 心痛 (Heartache; 1994)

Leslie Low - Triangular (2014)

許美静 (Mavis Hee) - 遺憾 (Regret; 1995)

MEAN - In Flight (2013)

Muon - The Death of Cinema (2003)

sonicbrat - stranger to my room (2013)

The Observatory - Catacombs (2012)

X’ Ho (Chris Ho) + ARCNTEMPL - Lucifugous (2013)

Xhin (Official) - The Images Within (2022)

Zircon Lounge - Regal Vigor (1983)


LIT

Adrian Tan - The Teenage Textbook (1988)

Alfian Sa’at - A History of Amnesia (2001)

Alfian Sa’at - One Fierce Hour (1998)

Amanda Lee Koe - Delayed Rays of a Star (2019)

Andrew Koh - Glass Cathedral (1995)

Arthur Yap - The Collected Poems of Arthur Yap (2013)

Balli Kaur Jaswal - Inheritance (2013)

Boey Kim Cheng - After the Fire (2006)

Boey Kim Cheng - Between Stations (2009)

Boey Kim Cheng - Clear Brightness (2012)

Chong Tze Chien - Four Plays (2011)

Claire Tham - Fascist Rock: Stories of Rebellion (1990)

Cyril Wong - Tilting Our Plates to Catch the Light (2007)

Damien Sin - Classic Singapore Horror Stories series (1992—2003)

Dave Chua - Gone Case (2002)

Eleanor Wong - Invitation to Treat: The Eleanor Wong Trilogy (2005)

Faith Ng - Plays: Volume 1 (2016; ed. Lucas Ho)

Goh Poh Seng - If We Dream Too Long (1972)

Goh Poh Seng - The Immolation (1977)

Gopal Barantham - The City of Forgetting: The Collected Stories of Gopal Baratham (2001; ed. Ban Kah Choon)

Gregory Nalpon - The Wayang at Eight Milestone (2013)

Haresh Sharma - Off Centre (1993, 2006)

Haresh Sharma - Trilogy (2010)

Isa Kamari - Rawa (2013; trans. R. Krishnan)

Jean Tay - Boom (2008, 2009)

Jeremy Tiang - State of Emergency (2017)

Joel Tan - Plays: Volume 1 (2015)

Johann S. Lee - Peculiar Chris (1992)

Julian Davison - One for the Road: An English Boyhood in Singapore & Malaya (2007)

Kuo Pao Kun - Complete Works: Plays in English (2012; ed. C. J. Wan-Ling Wee)

Ming Cher - Spider Boys (1995, 2012)

Mohamed Latiff Mohamed - Confrontation (1997, 2013; trans. Shafiq Selamat)

Morgan Chua - Tiananmen (1989)

Philip Jeyaretnam - Abraham’s Promise (1995)

Pooja Nansi - Love is an Empty Barstool (2014)

Rex Shelley - The Shrimp People (1991)

Russell Lee - True Singapore Ghost Stories series (1989—ongoing)

Sonny Liew - The Art of Charlie Chan Hock Chye (2015)

Sonny Liew - Warm Nights, Deathless Days: The Life of Georgette Chen (2014)

Tan Hwee Hwee - Mammon Inc. (2001)

Tan Kok Seng - Son of Singapore (1972)

Tan Tarn How - Fear of Writing (2011, 2012)

Tania de Rozario - And the Walls Come Crumbling Down (2016)

Teng Qian Xi - They hear salt crystallising (2010)

Wong May - A Bad Girl’s Book of Animals (1969)

Xi Ni Er - The Earnest Mask (2004, 2012; trans. Howard Goldblatt & Sylvia Li-Chun Lin)

Yeng Pway Ngon - Art Studio (2011, 2014; trans. Goh Beng Choo & Loh Guan Liang)

  • Writer: Dan Koh
    Dan Koh
  • Aug 24, 2023
  • 1 min read


proud to have proofread the latest issue of the Mekong Review, southeast asia's finest journal of the arts, literature, politics, the environment, and society. thanks to managing editor (and general inspiration) Kirsten Han for the opportunity.


my fave articles are the interview with artist Xyza Cruz Bacani; Siddharth Dasgupta's review of Everything the Light Touches, the multilayered novel by Janice Pariat; and Peixuan Xie's Mae Sot travelogue, which makes me wanna go wandering too. preview issue 32 now — preview.mailerlite.io/preview/231880/emails/97187145795503484 — let me know if i made any proofreading errors (!), and subscribe to keep 'em going!

mariah carey
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